A Long Walk, Museums and a Steaming Gig at Naru (DAY 9)

Around seven in the morning I took the Yamanote Line to visit Yoyogi Park. It had been on my bucket list for a while and I was really looking forward to the walk. When I got off at Yoyogi Station, I realised I had actually been there before during my visit to Shinjuku Gyoen. In hindsight it would have been smarter to get off at Harajuku Station, which is closer to one of the entrances of the park, but I have never really liked that part of Tokyo very much. Instead, I walked from Yoyogi Station in the general direction of the park.
The sky was bright blue and the weather was improving day by day. Along the way I stopped at one of Japan’s wonderful vending machines for a coffee. These machines offer just about anything you could wish for, but for me it was all about the Golden Drip coffee, one of the many brands you can find all over Japan.
Walking through the streets around the park, I noticed this was clearly a more expensive neighbourhood. The houses were large, the cars looked luxurious and almost every home had its own private parking space. I also passed quite a few sporty-looking people out for a morning run, many of them non-Japanese. It felt like an area where a lot of expats might be living.
When I finally arrived at the park around 7:30, I discovered that the entrance near me was still closed and would only open at 9. I did not feel like waiting around or walking around the park to find the main entrance, so I continued wandering through the area. After finding another vending machine — this time one with a disposal bin for my empty can — I headed back into the metro and made my way to Ueno.
The night before, while I was at Tagen, I had somehow managed to lose my Pasmo card. Luckily my drummer had messaged me to say it had been found, and I planned to pick it up around noon. Since I still had plenty of time, I got off at Ueno Station and walked into Ueno Park.
As I crossed the large square near the museums and library, I randomly bumped into Dustin Brown. I knew he had arrived in Japan that morning, but we had not made any plans to meet before the gig at Naru, so it was a completely unexpected encounter.
Dustin has been to Japan many times and knows a lot about the country. He suggested we visit the Tokyo National Museum, located inside Ueno Park. The museum complex is dedicated to Japanese art and antiquities, along with collections from other Asian countries.
Words are never the best way to describe art, so I included some extra photos I took inside the museum, which was allowed. The entrance ticket cost 1000 yen and gave access to several buildings, including the library. In the end we only visited the Tokyo National Museum itself, as the collection was already extensive enough to fill several hours.
Around 11:40 I said goodbye to Dustin and took the metro to Tagen to retrieve my Pasmo card. I have both a Pasmo and a Suica card, but it was nice to get the Pasmo back, especially since there was still money on it. After picking it up, I took the Sakura Tram back to Otsuka — a short but enjoyable ride on Tokyo’s last remaining tram line.
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I spent the rest of the afternoon resting at the hotel. Around 17:00 I got ready to travel to Livehouse Naru. I had played there before, so the trip was easy, although the metro was extremely crowded. I got off at Ochanomizu Station, an area that any musician would love because of the incredible number of music shops lining the streets.
The club itself is located on one of the busy main roads, and shortly after arriving we started a brief play-through of the tunes. Both Naoto Suzuki and Shota Kira had not played this music before. To be honest, it felt slightly unnecessary to rehearse, as these guys are fantastic musicians who perform almost every day. Meanwhile, Kazuhiro-san was already setting up his cameras and photography equipment to document the evening.
By the time we started the first set, the place was already filling up. Amano-san arrived with some friends, and halfway through the first set the whole hotel gang I met during my smoking hours at the Hotel showed up as well.., they are are cool group and it was great they all came to see the show.  Before long it felt like a full house.
The band was on fire, people were drinking, and the room was filled with a wonderful mix of Japanese locals, tourists, expats and friends. The atmosphere was warm, energetic and genuinely joyful.
JORIS POSTHUMUS GROUP on this night:
Joris Posthumus alto sax
Naoto Suzuki guitar
Shunichi Yanagi piano
Junichi Sata double bass
Sota Kira drums
After the concert we took some funny group photos with part of the hotel crew, and they offered me to join them on a ride back to the hotel in a minibus taxi, which turned into a fun little adventure on its own.
The next morning I would have to check out of the hotel at 10:00 to begin my trip to Miyazaki and start the second part of this musical exploration tour. Pianist Yanagi-san and I would join drummer Katsunari Furuchi, who runs a club in Miyakonojo.